POP-UP SHOW IN THE DISTILLERY DISTRICT!

Please join us on Saturday August 27, 2011 for a POP-UP SHOW featuring works by
Jenny Greco and Gabrielle Lasporte

Browse through beautiful handcrafted Jewellery and unique Modern Batik Original artwork, Prints and Greeting Cards at the studio of Jenny Greco located in the Historic Distillery District.

We will have special giveaways and refreshments

Saturday August 27, 2011
11 am to 5pm

Historic Distillery District, Jenny Greco Studio
Studio 109, Case Goods Warehouse #74, 55 Mill St
Toronto, ON

FOR MORE INFO – check out my events page

Upcoming Workshop at Flux+Form – Sept 17/18.2011

We are pleased to announce a workshop this fall at Flux+Form!

Learn the basic steps in the process of Modern Batik art using dyes, wax and paintbrushes to produce vivid works of art. Previous art experience is not required. You will leave with a finished piece of work and the desire to create more!

See our events page for more information or REGISTER TODAY!

Back in the saddle

the bad news? I have not created any new pieces since March of this year.

The good news?  I am back in the saddle. [thank goodness]

I usually don’t fight the moments when I want to do nothing more than curl in my chair and read a book. There’s a reason for it. Being a graphic designer has a tendency as well to sap the creativity out of you. when you force the creative process, it usually ends up looking contrived and untrue.

When I recently came across a stunning side profile picture of the talented  Saidah Babah Talibah on Facebook taken by equally talented photographer Anna Keenan. My comment was immediately .. I am drawing that. and so began the creative process once again.

As part of the process to get my mind into the artwork, I ask my subjects to answer a questionnaire about themselves so that I can understand them a bit further and hopefully not only get their physical image correct but also get an aura, a little bit of their soul unto my muslin. The more I do my research, the more excited I get about starting my work. Today, I was ready to start thinking about the actual piece.

Questionnaire in hand, profile picture and inspiration pictures printed out, I sat myself on my back porch and sketched out my idea for my new piece. My idea came together beautifully. Haven’t quite figured out everything out and for sure, Modern Batik will definitely throw me some curve balls along the way but my basic concept is there. and so is the drive. its good to be back.

Without given too much away, here is one of my inspiration for the piece; a visual posted by Saidah on her tumblr site. g.

 

Abstract “ism”

 

Although I have been an artist for many years, the times that I have attempted to do abstract have been very far and few between.  I always felt that the painting was not finished and the satisfaction of applying the final stroke of ink was never enough for me. My son thinks that I always need to compare my end product, need to see something concrete come out of my work. He may be right. Oddly enough, my most popular pieces to date have been my abstract pieces.  In one weekend, I sold both the original and the print of “Selam II” which was a study of cloth folds.

Clearly, there is something to be said about abstract art that draws people to purchase it more than portraiture or realism. Maybe it is because they can use their imagination to create a story around it or perhaps because they can easily blend it into their own decor. I myself am drawn more to portraiture – I love to weave stories around the faces that I see.

I recently went to the ROM on a school trip with my younger son’s class. We ended up in the Earth’s Treasures Gallery. The shapes and colours of the stones stirred my creative juices and I decided to try my hand again at abstract using the rocks as my inspiration. I felt the same way upon completing the piece but when I showed it to 2 friends – they were excited and raving about the results. I can’t say for certain that I completely understand the reaction and pull towards abstract but this time instead of focusing on the end product as an object, I am going to be pushing my modern batik techniques a little more and work on colour combinations which also greatly reflect my style of painting. This will help me gain greater understanding of abstract art on a whole. focusing on the postive. g.

PS above is a little taste of my adventure into abstract. The amazing thing about Modern Batik is that you can use the same drawing, apply the techniques and the artwork will never look the same twice. So I have decided to create a series of abstract pieces based on this concept and am hoping to have a exhibition some time this summer. I am on my second piece as we speak. so far.. so good!

Always something to learn …

Back in April of last year, I taught my first adult Modern Batik workshop at Poetic Art Gallery. One of my participants was my lovely mother, Claude. From the start, she was so meticulous in her drawing and following my instructions to the letter. For a beginner, her completed batik was a complete and utter shock to me. My mother produced this amazing piece of artwork!!! I remember that I kept saying to her “This is so good.. wow!”. Her response? “Who do you think YOU learnt it from?”. That set the rest of the class laughing and shaking their heads. I guess this is one of those instances when you forget about who your parent really is, you only see them as a mother instead of someone who has created and accomplished many things in her own right. My mom has been key in my development as an artist. I remember her pushing me to redo portraits I had drawn because she sat there and pointed out all my mistakes. I wasn’t happy at the time but it helped me greatly for other portraits that came after. My mother is happily continuing to discover Modern Batik with her own interests in mind. She wants to convert her artwork into usable fabric to create bags and clothing. She is back to teaching me a couple of things or two.

On my end, I have just set a date for the first Modern Batik Creative Workshop of 2011. It will take place on Saturday February 26 and Sunday February 27 at Flux + Form, a jewelry studio on Sherbourne just north of Richmond. Space is limited so if you are interested, please check my event page for more information or CLICK HERE to download the application form. I hope to see you at the workshop and even though I am the instructor, Modern Batik definitely still teaches me a thing or two. that’s the beauty of it all. g.

Once an artist..

Once an artist – always an artist.

I like to work in all kinds of medium. some a little bit out of the ordinary. It doesn’t mean that I am good at them but the satisfaction of doing it makes it all worthwhile especially because I am in my kids’ good books for doing something they want me to do. So this year, I decided to make gingerbread men. from scratch. and yes. it was a lot of work. I even made the icing from scratch. and while I kept my son’s attention for a bit – by the 4th gingerbread man, he was done decorating. Which left me to complete the 50 or so left. My hands were cramped and my eyesight a little wonky but what satisfaction. especially the wide smile I got from my “assistant”.

Would I make them again? maybe, maybe not – I just like to try different things to keep the creativity going. It helps me with my art and my design business. The whole point of art is push yourself a little bit, not to be afraid to try something even if it doesn’t work out – you might get the best idea ever. just from picking up a spatula. how delicious. g.

Recycling with a Twist

Taking items originally created for one purpose and reinventing them is always fun. Well. At least for me. The possibilities are endless and what better way to show your creativity?
I now create little mirrors covered with pieces of fabric I have come across at the fabric store, second-hand store and even in the scrap basket in the sewing studio.
Placed side by side, they form an eye-catching canvas that is also utilitarian. No one will ever have the same mirror which is even better!
Nowadays with the strong emphasis on re-using, recycling.. why not re-invent? We throw out so many things in the trash – let’s think about if it can be used in another matter.
Moral of the story, get creative! Are you looking at a patterned shirt – or could that shirt turn into a bag, get cut up and applied to a box or even become part of a quilt?
Simple. and so much fun!

My Sister

“She channels the strength of the female graff artists, emcees, deejays and breakers of today alongside the presence of the goddesses of ancient time. Her Hip-Hop encourages strength and understanding of self. It tells her not to be afraid of who she is. She is determined to never become what they proclaim she should be and to grow into everything they say she cannot. She is one with her history, her culture and her beliefs. Make way for the SoulSister.”

I created “SoulSister” for my recent show “If Hip-Hop Had A Face”. “SoulSister” pays homage to hip-hop and is dedicated to all fans of the hip-hop culture. Here’s some insight into what inspired me to create this piece.

To me, “SoulSister” embodies the true spirit of hip-hop. It appeals to different generations and speaks to different cultures. Being a fan of hip-hop myself, people usually do a double take when I mention a song or use an expression that only someone in the culture knows.  What I love about this piece is that it challenges the pre-conceived notions of what a hip-hop head should look like. So get those misconceptions out of your head!

People may be surprised as to why I chose an Irish freckled-faced woman to represent the “SoulSister.” I was intrigued with the similarities in history of the Irish people and African-Americans. Throughout history, the Irish were persecuted and discriminated against based on their race, religion and economic status. And most people don’t realize that the English sold the Irish as slaves in the 1600s. The Irish have been ridiculed and satirized.

To a certain degree, I also wanted my SoulSister to have noticeable facial features. The red hair and freckles;  features that link the owner to distant celtic roots.  Those features are also cause for various jokes and unkind expressions.  I remember watching M.I.A’s video for “Born Free,” which was a social commentary on many things, but visually chose to show the persecution of red-haired men. The video was very chilling and overt. Its message struck a cord with me stuck with me because unfortunately this type of persecution happens every day all over the world based on your race, gender, religion, sexual orientation or socio-economic status. But I digress. If you are at all interested in reading more about it click here.

 

As I started to do my research, I found a lot of information about the meaning of Celtic symbols, which I felt I had to incorporate into the drawing in order to bring forth the beautiful culture of the Celts. Feels like I’m back in art history class pouring over artwork to find the symbolism! Here are a few things you will spot within the artwork: the colour green is the more obvious of the symbolism within the piece. Green is a colour that has always been associated with Ireland – it is also connected with paganism and life, fertility and rebirth. The swirls in the background are Celtic Spirals. Not only do they represent the journey from one’s outer body to the inner soul, but they also represent a connection with nature, evolution and more.  Around her neck is a pendant called a Triqueta.  This is also known as a Trinity Knot. It is a very common symbol in Celtic myths and legends. It has several meanings, one of which is that it represents the bond between mother/daughter and sister. It also relates to Mind, Body & Soul or Earth, Sea & Sky. She proudly wears her silver earring of the Emerald Isle to show her sense of self and pride for her culture. “SoulSister” has tattoos on her arms and biceps which I chose to put on her to represent the strong Celtic goddesses who themselves were tattooed with different symbolism depending on their nature. In doing my research about Celtic culture – I found out that women were part of an equal society, and enjoyed freedom and power, which is something I always like to incorporate (and emphasize) in my artwork.

So there you have it – a little insight into my head. “SoulSister” is available as an original, reproduction and greeting card. Feel free to contact me for more info. g.

Rebirth

I have always been attracted to different mediums and fabric has always been at the top of my list. Growing up, my mom’s sewing studio was always overflowing with different kinds of fabric.

Textile Art came to me one day when visiting my mom – I saw all this Dupioni Silk in the garbage. She was working on Bridesmaid Dresses and the unusable cuts were thrown out. This seemed like a waste to me. That day, I rescued the silk from the bin and proceeded to figure out what to do with it. I am definitely not a seamstress so I began to play with the idea of gluing it unto paper - Gluing it in big pieces was too hard to adhere so I started cutting it into squares, graduating unto canvas as my surface.

An avid portrait artist and a chalk artist since my teens, I wanted to incorporate that into my silk work. And so it became that I worked on my portrait first , put it on my canvas and then starting filling out the blank areas with the textile – mostly raw silk but also bits of beautiful Indonesian Batik.

Recently, I decided to do a piece in this style. It had been almost 3 yrs since I had done work in this medium. What a feeling! I definitely missed it. Chalk is very different from Modern Batik. What I didn’t miss though was the sticky fingers and gluing the fabric down. That being said, the results are stunning so I am glad that I did it.

I am calling the piece “Rebirth” – Sometimes its good to rejuvenate oneself and try something different. It opens up more possibilities!

Hope you enjoy this piece – would love to hear your feedback.